Blog//Subject//Design

AMC Coke ‘Chairs’: Before & After

February 2nd, 2010

Coca Cola_AMC Chairs 4ErinMcGuire_Paintings_AMC_frames_b


Update : Radium/Reel FX has released this before & after version of the AMC Coke ‘Chairs’ thetrical opening.

Earlier interview with Reel FX Matte Artist/Illustrator, Erin McGuire

Comment Subjects// | | | | | | | | | | |

Prologue Films : Sherlock Holmes End Credits//

January 6th, 2010

sh_moe


While motion graphics has matured to the point that one new style (or technique) will no longer dominate the way it has in the past, Danny Yount, Creative Director at Prologue, keeps us entertained & in our seats as the end credits roll for Sherlock Holmes by breathing new life into a tried & true creative technique.

Prologue’s main-on-end title work for Sherlock Holmes is a blend of serenity & intensity reminding us why Main Title Design can still inspire even the most jaded designer already hooked on gymnastic but not-so-memorable animated sequences. Using an a combination of an ink/oil/stain animation to sweep layer over layer from one scene to the next, Danny + Co. add a sophisticated touch (& color palette) to the mix by freeze-framing etched-shaded Sherlock Holmes characters to create a classic & painterly look and feel driven by Guy Ritchie’s moody timeline.

Grab a cup of  joe & enjoy-

Sherlock Holmes (+ Danny Yount interview)

Prologue Films

Also see Jahvi (strong work w/ a similar animation style by Patricio Zincke — a student & friend from Chile)

Comment Subjects// | | | | | | |

Two commercials from ‘Best of 00’s’ : Swear Jar & Making of : Phillips Carousel//

November 30th, 2009



Vote for Best commercials of the 00’s

-Update .. Budlight Swear Jar beat out Phillips Carousel by a total of three votes//

Comment Subjects// | | | | |

“What do you do?” : Mark Coleran post question//

November 25th, 2009


Mark Coleran is a visual designer mainly know for his screen & interface designs. He’s created interfaces for the films The Bourne Ultimatum, Tomb Raider, Mission Impossible 3, The Island and Mr and Mrs Smith. Recently he wrapped up a project for GridIron Software creating the user experience and interface for a next generation creative workflow application; Flow.

Mark posted a question today on his blog & on Twitter asking designers “What do you do?”

It’s a good question – Instead of writing a book I kept my answer short:

We search for the emotional core of our project(s) using our own life experiences, our own attitudes about life & our innate vision to see what isn’t there in order personify that project visually.

markcoleran.com

Comment Subjects// | | | | |

Orbiting the Giant Hairball: A Corporate Fool’s Guide to Surviving with Grace//

November 23rd, 2009

Orbiting the Giant Hairball

The book title says it all. Big on heart & story, short on theory, Gordon MacKenzie’s free spirited guide on how to stay creative in a red tape/corporate environment while avoiding being sucked into the giant hairball.

(Gordon’s definition of “hairball”:  the bureaucracy that companies create through endless rules, policies, procedures, management layers and practices. Each “rule” is like a little hair that gets connected or knotted to other hairs, and the result is a giant hairball).

Orbiting the Giant Hairball: A Corporate Fool’s Guide to Surviving with Grace (Hardcover at Amazon)

Comment Subjects// | |

Nick Campbell Interview (GREYSCALEGORRILLA)//

November 20th, 2009


It’s an amazing amount of work that goes into turning talent into a skill. Sometimes that process feels like carrying a ton of bricks – that said, there’s not a shortage of people in the design and post-production community providing tutorials to either help people build those skills or promote themselves one way or another.

Meet Nick Campbell — his blog, GreyscaleGorrilla stands out from that crowd for several reasons: his tutorials are unscripted, in-depth and he stretches the definition of going “above and beyond” by helping and inspiring designers to ‘up their skills’ to become creative problem solvers themselves. Not to mention his blogs/podcast are actually a good time.

Nick works in Chicago and prior to switching to working fulltime on his creative process at his main site, GreyscaleGorrilla, he was as a designer & animator at Digital Kitchen (see projects below). At Greyscale he shares his process & experience for “Making Cool Shit” : a combination of creating graphics, reviews/critiques, career training & tutorials. Besides GSG he also post at two of his other blogs/podcast sites : makecoolshit.com & keyframe.tv (with Timmy Allen & Pasquale D’Silva).

Nick’s also a photographer and an iPhone app designer and educator. In October, CNN.com featured Shake It Photo, his first iphone app, in their ‘Tech’ section. (see article here: CNN Tech). He’s not only gone out of his way giving advice on how to find and work with app developers and programmer’s, but he’s also shared the number iPhone’s app’s he’s sold (including the income they’ve generated). He’s also shared the direction he took to promote and market his app and his experience(s) working with Apple to get ‘Shake It Photo’ through the infamous stages of Apple’s approval process.

In the end, GSG’s about building up the design community, helping everyone to create their best work & helping people get to where they want to be.

Cheers to GSG//Nick Campbell-

gsglogo_01


GSG presentation : How to be creative and get paid

keyframetv.com

make cool shit.com

Nick’s portfolio : Creamy Orange

keybank_banner2

Keybank Campaign

Webby Awards

Conan O’Brien : Tonight Show Open

Comment Subjects// | | | |

Two Spike Jonze Spots : GAP & ADIDAS//

November 13th, 2009


(This GAP spots a lot of fun, but  was never aired.)


Related Post // Spike Jonze : Where the Wild Things Are

Comment Subjects// | |

Frame Resolution Chart//

November 12th, 2009

Frame chart_scaled

800px-Dslr_sensor_comparison

A DSLR’s sensor will capture the same size image as a full frame 35 MM on film.

Two Canons with two different sized sensors for recording HD & shooting stills. APS-C format SLR (left) and a full-frame DSLR (right).

RED ONE // 4096 x 2048

Canon EOS 5D Mark II // 1920 x 1080

Canon 7D //At 1920×1080

Nikon D90 // 1,280 x 720

Panasonic Lumix DMC-GH1 // 1920 X 1080

(Digital) Crop Factor (& how it affects existing lenses)

Comment Subjects// | |

Mnet “Magic Studios” VFX Breakdowns//

November 12th, 2009


VFX breakdown of the ‘Mnet Magic Studios’ TV commercial using 3D camera projection/mapping/extensions/re-modelling, motion tracking & massive amounts of roto.


Comment Subjects// | | | | | | |

A Shadow Falls : Nick Brandt//

November 10th, 2009

A Shadows Fall


Nick Brandt : A Shadow Falls ( Hardcover) – Amazon

Nick Brandt’s last book : On This Earth ( Hardcover) – Amazon

A rugged backdrop is rendered humble & serene in A Shadow Falls – a treatment of nearly perfect photography capturing the emotional core of African wildlife.

Another must have book by Nick Brandt.


Comment Subjects// |
1234»